By Sylvester Brown Jr.
ST. LOUIS POST-DISPATCH
06/25/2006
“I wouldn’t give you two cents for all your fancy rules if, behind them, they didn’t have a little bit of plain, ordinary, everyday kindness and a little looking out for the other fella, too.” – Jimmy Stewart,
“Mr. Smith Goes to Washington”
Real-life politicians hated director Frank Capra’s 1939 film. But Stewart’s portrayal of Jefferson Smith, a plainspoken, politically idealistic politician awash in a town dictated by power and corruption, resonated with audiences.
Fed up and frustrated with President George W. Bush’s first three years in office, Webster Groves film producer Frank Popper, 57, went looking for inspiration. In early 2004, he found it in a candidate whose name, style and ambition matched that of Capra’s hero.
Political insiders gave legislative novice Jeff Smith, a political science instructor at Washington University, little notice or chance of succeeding Rep. Richard Gephardt, who had given up his seat in Congress. Most assumed, based on name recognition alone, that Russ Carnahan, the son of late Gov. Mel Carnahan, would win.
But Popper, after spending only “30 seconds” with Smith at a local bookstore, saw something those in-the-know seemed to have missed.
“It was a gut feeling,” said Popper, an award-winning producer of commercial and nonprofit films. “Jeff was young, articulate and dynamic.”
Two years later, Popper and his co-writers and producers, Michael Kime, a lawyer with Sauerwein Blanchard & Kime P.C., and entrepreneur Matt Coen, are abuzz with excitement. Their documentary, “Can Mr. Smith Get to Washington Anymore,” won the Audience Award for Feature Film on June 18 at the Silverdocs Film Festival in Washington. If fate holds true to the path of “Street Fight,” the 2005 Silverdocs “Audience Award” winner, the film created by Popper et al. could clinch an Oscar nomination.
Popper, Kime and Coen’s road to the Silverdocs began after an initially reluctant Smith agreed to allow Popper to tag along to shoot his gruff, gritty and grueling campaign. The film opens with shots of Smith’s family adamantly refusing to fund his campaign and voicing their doubts about his chances of winning the congressional seat.
“I don’t think a person with the mind that he has should waste it on politics,” Smith’s grandmother, Idah Rubin, says in the film.
After comments from political analysts and Post-Dispatch columnists (Bill McClellan, Jo Mannies and yours truly) and a reporter from the St. Louis American newspaper, the film segues into early assessments of Smith’s height and lispy voice, delivered by campaign workers and supporters like Steve Brown: “This scruffy kid, wearing a suit that looked like he got it from Garanimals, said he was 30. I didn’t believe him. . . .”
“Even though Jeff looks like he’s 12 and sounds like he’s been castrated, he was the most brilliant and articulate candidate,” quipped Artie Harris, Smith’s campaign communication director.
Just as the governor’s children in Capra’s film convince their father to give Jefferson Smith a shot in the Senate, Jeff Smith’s young volunteers add the spark in Popper’s documentary. Their hard work, anger, hope, tears and enthusiasm, perfectly synchronized with a musical score of blues, gospel and a drumline from Webster Groves High School musicians, give the film its edge-of-your-seat, along-for-the-ride energy.
Popper’s film doesn’t have a “David conquers Goliath” ending. It cinematically illustrates how political clout and name recognition often trump quality, grass-roots campaigns. And, according to producer Coen, the fact that an unknown candidate lost by less than 2,000 votes also underscores hope, as demonstrated by Smith, who’s now running for the Missouri Senate.
“The ending makes it honest. It shows an arduous journey, but it also shows it can be done,” Coen said. “It resonated so well at Silverdocs because it taps into the bigger story playing out across the country.”
Silverdocs was an unreal experience for the filmmakers. Not only did they win a prestigious award and experience their documentary shown on the big screen before an audience of movie buffs, they also mingled with former Vice President Al Gore, director Martin Scorsese, Pulitzer Prize-winning author Thomas Friedman and other notables. Upon their return home, Kime, Coen and Popper have been deluged with media requests for interviews.
“It’s been like a fast-moving train and we’re just trying to hold on,” said Kime, adding that the “real work” is just beginning. The trio is working feverishly to book the film across the country and focusing on “packing the house” for its local premiere July 27 at the Tivoli Theater.
Although the film documenting a political outsider’s difficult odyssey reflects the essence of Capra’s film, the filmmakers are in the midst of drafting their own against-all-odds story.
“We’re three guys who are hardly Hollywood types,” Coen told me. “We’ve managed to put together a film that’s been well-received, taps into a political reality, yet still leaves people with a sense of optimism that they can engage and truly make a difference.”